Competing "managing the narrative" narratives within ufology

Rewatching the documentary "Mirage Men" (based on the book of the same name by Mark Pilkington; it might be the other way around, with the book being based on the documentary) I was struck by something: Richard Dolan claims that the US government has managed the narrative around UFOs so that people can be inoculated against the topic and to treat it with ridicule when it's brought up. By associating UFOs with entertainment and movies, the public is thereby primed to dismiss out of hand reports of UFOs. But what about the competing hypothesis: that the government is drip feeding us information about aliens (again, through the medium of entertainment, to acclimate us to the idea of ET visitors) so that when the big reveal is finally done (that the government has been hiding evidence of aliens or that aliens are coming to Earth, or even that their technology has been captured) we won't panic and we can handle it? One hypothesis says that we're exposed to the partial truth in order to keep it concealed from us in perpetuity; the other says that it's to make us ready for the Truth.

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